by Harriet Bruce.

Edition limited to 10 signed and numbered copies.

This book project explores the act of ‘emergence’ in both theme and function. Three pop up books relief printed with raised design on the front cover.

Box Dimensions
H: 38.5 x W: 16 x D: 2.6 cm

Book Dimensions
H: 11.5 x W: 15.5 x D: 1.3 cm

The book when opened is 20 x 30 cm in length.

For acquisitions and enquiries please contact harriet.bruce210@gmail.com.

Six special design bindings for the Chinese edition of “Custodians of the Scholar's Way” published by Paragon Book, Beijing.

In Custodians of the Scholar's Way, Marcus Flack continues his explorations into the great traditions of Chinese artisanal art.  The book examines and contextualizes more than two hundred masterpieces, each of which was an element of the classical Chinese scholar's studio.

Title calligraphy by Chinese master painter Liu Dan.

The design covers are inspired by the texture of the objects depicted inside the book.
Mixed media on paper.

For acquisitions and enquiries please contact mdflacks@icloud.com

by Rossy Liu.

Edition limited to 10 signed and numbered copies.
Handwritten on acid free millboard slats.

Notes on Random Thoughts is inspired by Six Records of a Floating Life  a great classic of Chinese literature written by Shen Fu during the Qing dynasty.

The scroll is housed in a box.

Box Dimensions
H: 28.5 x W: 9.5 x D: 9.5 cm

Scroll Dimensions
H: 27 x W: 8 x D: 8 cm

The scroll when opened is 110 cm in length.

For acquisitions and enquiries please contact rossylmh@gmail.com.

by Sam Winston.

Edition limited to 80 signed and numbered copies.
Printed on 100 gsm Hahnemühle Fine Art Rice Paper.
Dusk jacket printed onto 174 gsm acetate.

7 days is a box set of 3 artist books and a folio of prints that documents the artist Sam Winston living and creating in absolute darkness for seven days and nights.

Stub bindings
All three books are housed in an acrylic box.

Book Dimensions
L: 32 x W: 32 x D: 0.8 cm

The book has been acquired by the library collections of Tate, Chelsea College of Art and National Poetry Library.

For acquisitions and enquiries please contact studio@samwinston.com

The edition is published by Rasika an imprint of Sylph Editions dedicated to the appreciation of aesthetic culture in all its manifestations, past and present, with an emphasis on Asia.

Edition limited to 300 copies.

Dimensions
Ten full views, each: 54 × 90 cm
Clamshell box: 58 × 38 × 9 cm

For more info click here.

Commissioned by Hormazd Narielwalla.

Limited edition run of bespoke paper using block printing.

Block printed and embossed.

by Suki Chan.

Edition limited to 5 signed and numbered copies.

Portfolio of 12 A2 digital Giclée prints on 300gsm acid free and archival quality paper.

Dimensions
Box: L: 61, H: 43, D: 3.5 cm
Prints: L: 59.4, W: 42 cm

For acquisitions and enquiries please contact info@sukichan.co.uk

by Hormazd Narielwalla.

Edition limited to 100 signed and numbered copies.
The 12 artworks are printed on a Canon 7000 digital press.

Concertina binding with hardcover.
The book is housed in a slipcase.

Dimensions
L: 26 x W: 21 x D: 1.5 cm
The concertina measures 300 cm

For acquisitions and enquiries please contact info@narielwalla.com

by Patrick Kinmonth and Antonio Monfreda.

Kinmonth and Monfreda imagined a dialogue between past and present, tradition and innovation. A collection of collages gathered in a great book of alchemic flavour.

A0 layflat binding.

Book Dimensions
L: 119 x W: 84.1 cm

by Hormazd Narielwalla

36 relief prints on original bespoke tailoring patterns with gold paint stencil on off white 300 gsm paper.

Dimensions
W: 144 cm x H: 102 cm

Edition of 15.

Winner of the Paupers Press Prize at the International Print Biennale, Newcastle, 2016.

Available from Saatchi Art

Collaboration with Black Fox Bindery.

The edition is published by the Cuckoo Press (London, 2015) in association with Europa Editions for John Sandoe (Books) Ltd.

The books are hand sewn, rounded and backed and have Japanese tissue inserts tipped-in to protect the signature page.

Both silk and leather bindings are housed within a slipcase.

For more info click here.

by Hormazd Narielwalla.

Edition limited to 15 signed and numbered copies.
The book opens from the centre and both text blocks are layflat bindings.
Each page of the book is a cut out of an original bespoke tailoring pattern and each book is unique as the patterns are all cut differently.
  
The book is housed in a clam-shell box.

Dimensions
Box: L: 44, W: 62.5, D: 3.5 cm
Book: L: 41.5, W: 60, D: 1.75 cm

The book when opened is 120.5 cm in width.

For acquisitions and enquiries please contact info@narielwalla.com

by Hormazd Narielwalla

Set of three hand made prints from wood cut relief in 19 carat Caplain leaf (combination of Palladium and Gold), 22 carat Gold leaf and silver leaf on 300 gsm archival paper. Overall dimensions: 610 x 1390 mm. Edition of 15.

Available from Saatchi Art

"The work captures a French sewing pattern in the negative space." Hormazd Narielwalla, 2015.

by Nancy Campbell.

Bird Editions, Oxford, 2014.
Printed at the Centre for Fine Print Research, Bristol, UK, on an Epson Stylus Pro 9600.

Edition limited to 50 signed and numbered copies.
14 pages. Concertina binding in turquoise Wibalin Buckram with white foil-blocked boards.

The book was acquired by the British Library in the summer of 2014 and was shown as part of the British Library’s exhibition: Lines in the Ice: Seeking the Northwest Passage.

Limited edition of 40.
Hand set in Plantin and Gill Sans Shadow Titling.

Linocuts: copyright of Chris Brown.

Commissioned by Hand&Eye Letterpress.

Edtions of 5

Multi-layered paper, sewn with french link stitch.
Hand-cut clouds and hand-carved sun rays.

Edition of 25.

Reindeer leather wrapper with Chiyogami* lining and british handmade paper scrolls.

* Chyogami Paper is a beautiful hand screen printed paper from Japan. The designs were originally based on the bright kimono textiles, that the papermakers from the countryside saw on the fashionable wealthier ladies in the larger cities. To create a single completed sheet of Chiyogami, each base sheet is silkscreened with as many colours as there are in that particular pattern - in most cases, four or five colours.